Brian Soares 9/2/25 Brian Soares 9/2/25

What Bites Beneath: Reflections on the Opening Scene of Jaws at 50

Brian Soares 7/9/25 Brian Soares 7/9/25

Stranger(s) Things: Love, Loss and the Gay Gen Xer in All of Us Strangers

Brian Soares 9/16/24 Brian Soares 9/16/24

Double Vision: Passion, Fashion, and The September Issue

Brian Soares 10/27/23 Brian Soares 10/27/23

Life After Death: The Cult Classic That is Clue

Brian Soares 9/27/23 Brian Soares 9/27/23

Gotta Have Fate

Brian Soares 6/25/23 Brian Soares 6/25/23

Five for Pride

Brian Soares 5/16/23 Brian Soares 5/16/23

Platinum Portrayal: Ana de Armas’ Golden Performance in Blonde

Brian Soares 10/29/22 Brian Soares 10/29/22

“Secretive; Whispery; Indecent”: Intentional Disconnect in 1961’s The Innocents

Brian Soares 9/30/22 Brian Soares 9/30/22

Bundle Up: Four Films for Fall

Brian Soares 1/23/21 Brian Soares 1/23/21

Coppola Mechanism: Francis and Sofia’s Different Portrayals of Loneliness

Brian Soares 12/14/20 Brian Soares 12/14/20

Time Passages: Musical Signposts in Paul Thomas Anderson’s Boogie Nights

Brian Soares 11/13/20 Brian Soares 11/13/20

Double Trouble: Reflections on Brian De Palma’s Dressed to Kill

Brian Soares 11/9/20 Brian Soares 11/9/20

The Best of the Worst: Plan 9 From Outer Space

Brian Soares 9/10/20 Brian Soares 9/10/20

Watch “Hitchcock,” and Watch Hitch Watch

Brian Soares 7/1/20 Brian Soares 7/1/20

The Pop Zeal Project: Sheryl Crow: “Safe and Sound”

Brian Soares 5/4/20 Brian Soares 5/4/20

For “Star Wars Day,” Keep Your Ion This Scene

Brian Soares 11/11/18 Brian Soares 11/11/18

Dark Passage: Tom Ford’s Nocturnal Animals

Brian Soares 11/11/18 Brian Soares 11/11/18

Blunt Answers

Brian Soares 10/14/18 Brian Soares 10/14/18

Pop Playlist: Sheena Easton: “For Your Eyes Only”

Brian Soares 10/7/18 Brian Soares 10/7/18

Double Duty: Actors Who Sing; Singers Who Act