https://www.popzeal.com/blog daily 0.75 2026-03-17 https://www.popzeal.com/blog/scene-and-heard-head-over-heels-for-the-love-story-trailer monthly 0.5 2026-03-18 https://www.popzeal.com/blog/olivia-dean-just-who-we-need monthly 0.5 2025-09-30 https://www.popzeal.com/blog/what-bites-beneath-the-opening-scene-of-jaws-at-50 monthly 0.5 2025-09-03 https://www.popzeal.com/blog/strangers-things-love-loss-and-the-gay-gen-xer-in-all-of-us-strangers monthly 0.5 2025-07-10 https://www.popzeal.com/blog/jenny-lewis-follows-her-bliss-on-austin-city-limits monthly 0.5 2025-06-01 https://www.popzeal.com/blog/double-vision-passion-fashion-and-the-september-issue monthly 0.5 2024-09-17 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/e72ab591-cc58-4efe-b471-69b9c3d4afa4/7412B551-E859-4AA9-B325-F9867CAFF902_1_201_a.jpeg Blog - Double Vision: Passion, Fashion, and The September Issue - “September is the January in fashion.” Candy Pratts Price, Executive Fashion Director, Vogue Magazine. R. J. Cutler’s 2009 documentary, The September Issue, a look at the arduous process of compiling Vogue magazine’s biggest edition of the year, was initially promoted as a profile of its Editor In Chief, Anna Wintour (left), but ended up shedding more light on Creative Director, Grace Coddington, resulting in her becoming the film’s most fascinating star. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/3afe5e80-25b1-47ce-8977-1278af11f23c/5712F14D-6856-4587-A885-A9834E2C37D7_1_201_a.jpeg Blog - Double Vision: Passion, Fashion, and The September Issue - Coddington’s free-spirited, yet focused passion versus Wintour’s structured, and equally focused, determination made for a compelling dichotomy. Even their hairstyles and overall fashion sense speak volumes: Wintour dons her signature bob, classic and conservative, a strand rarely out of place, while Coddington (below) rocks thick, flowing, rock-star-style red hair. Ironically, Wintour, often stern, tends to exude personality through attire that embraces prints and color, while Coddington, like the cool bohemian aunt in your family, is frequently draped in black, almost choosing to pull focus from what’s on her person to what’s on her pages. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/aafb4d57-d5ad-47d3-b0a4-d9fbb1dd1401/41800842-91A6-4EC4-895D-DBFE4018A06F_1_201_a.jpeg Blog - Double Vision: Passion, Fashion, and The September Issue - Coddington fights to get her work into the magazine, but it repeatedly gets put to the side, as Wintour edits, then ultimately decides what fashion spreads will make it into the issue. As Coddington senses her spreads are on the chopping block, she can’t hide the defeat on her face, as she sits at her desk. She updates the documentary crew about her spreads’ seemingly limited lifespan: “They took two more out and there’s question marks on two more, so it’s been whittled down… and I’m furious,” she calmly discloses. After a somber pause, she reveals with a brief nervous chuckle: “And it’s very hard to go on to the next thing.” https://www.popzeal.com/blog/well-played-a-review-of-kacey-musgraves-deeper-well monthly 0.5 2024-09-17 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/d812e6c3-64cf-4955-8b90-3df7788d27b3/51A5D9B2-DE3A-4BD0-A998-B682FF23D534_1_201_a.jpeg Blog - Well Played: A Review of Kacey Musgraves’ Deeper Well - When you dive into Kacey Musgraves’ lovely folk-country album, Deeper Well, you’ll likely discover the singer/songwriter secure, but searching. After love (captured on the masterpiece that is 2018’s Golden Hour) and loss (poured out on 2021’s star-crossed) come self-healing, (personal and professional) lessons learned, even a few unanswered questions, all reflected on 14 sonically soothing, acoustic-centered tracks, with Musgraves’ angelic voice at the heart (of the woods). https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/4ff18f09-8df5-48fa-9eac-7770467ed2e4/87B9BB5B-6F27-4599-A71D-7852A0157717_1_201_a.jpeg Blog - Well Played: A Review of Kacey Musgraves’ Deeper Well - Here, Musgraves is at her earthiest. Throughout the album, she and her writing team have incorporated references to the natural world and its inhabitants, the seasons and the afterlife: With the opener, “Cardinal,” the scarlet-red bird is seen as a messenger “from the other side” (an expression Musgraves also adds to “Dinner with Friends”). She also asks: “Are you just watching and waiting for spring?” With “Too Good to be True,” Musgraves musters the courage to open herself up to that foreshadowed new beginning (“Summer’s gone, but you’re still here/For both of us, it’s been a year”), yet subsequently on “Moving Out,” cohabitation comes with challenges. She sings metaphorically, “That big tree in the front yard lost a limb,” and uses the season of autumn to signify the decay of that relationship, evidenced by the following track, “Giver/Taker” and its opening line: “Sundown and I’m lonely in this house.” https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/11041844-a73c-4e6c-8119-9321ddefca5e/3D68D9D5-9AB0-4487-8DAC-3E5446921CD8_1_201_a.jpeg Blog - Well Played: A Review of Kacey Musgraves’ Deeper Well - But it’s the title track, as well as “Sway” that document her quest for centeredness amid all the changes that life can bring “without a warning,” words expressed on “Too Good to be True” and similarly on “Cardinal.” Musgraves never pretends to have it all figured out; in fact, on “The Architect,” she paints a series of scenarios to convey a balance of curiosity and confusion about creation, and life on the planet, leading, once again, to confirm Musgraves’ knack for relatability through lyrical construction. By album’s end, “Nothing to be Scared of” finds her dipping her toes in the relationship waters once again. And if life and love ever get murky again, Musgraves now knows she can always go back to the well. https://www.popzeal.com/blog/an-add-shot-of-pop-sabrina-carpenters-espresso monthly 0.5 2024-05-27 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/c8931813-d1b5-4280-87f6-7e5d6f50b0b0/89C04A4D-7985-4541-8193-23A6FED697AF_1_201_a.jpeg Blog - An Add-Shot of Pop: Sabrina Carpenter’s “Espresso” - Breathy and a bit bratty, in the best possible way, Sabrina Carpenter’s breakout hit, “Espresso” is easily a song-of-the-summer contender. As the track awakens, it’s cool and quiet, just the sound of shimmery synth keys, handclaps, and a deep bass line in the background can be heard. But it’s quick to rise and shine into a caffeinated eight-line chorus (repeated four times in less than three minutes) that proudly boasts the effect one can have on a partner, specifically the prowess of delivering a shot of love so strong, it’s enough to instill a bout of insomnia (“Say you can’t sleep, baby, I know/That’s that me, espresso”). https://www.popzeal.com/blog/from-fosse-to-ari-the-origin-of-ariana-grandes-yes-and-video monthly 0.5 2024-03-27 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/e360e86a-3a13-4a0e-ae35-31db9913d679/6B527058-1836-43A7-AB78-7B0513486E48_1_201_a.jpeg Blog - From Fosse to Ari: The Origin of Ariana Grande’s “yes, and?” Video - An artist who recently commented about this relationship is Ariana Grande, via her latest music video for “yes, and?” from her seventh studio album, Eternal Sunshine, which saw the light of day on March 8. The track’s sound evokes classic piano and hi-hat ‘90s dance music, while the video treatment harkens back to a stylish ‘80s music video and even further back to an iconic ‘70s movie musical, so therefore, Ari’s video is an homage to an homage. Let’s put on our dancing shoes and retrace our steps: https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/cadee08f-c22d-4236-8bc6-1c3c5b60fb12/2848E18D-3E37-4045-9949-656B7E416D53_1_201_a.jpeg Blog - From Fosse to Ari: The Origin of Ariana Grande’s “yes, and?” Video - One of the best depictions of this artist-critic exchange was featured in Bob Fosse’s 1979 semi-autobiographical musical-drama, All That Jazz. Broadway director and choreographer, Joe Gideon (Roy Scheider essentially portraying Bob Fosse) is burning the candle (and many cigarettes) at both ends, trying to cast and create a new show, plus complete the editing of a film, all while barely co-raising his young daughter, and popping a lot of pills. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/37ce53a6-87d0-4733-a620-ac58cbaedf1d/58C1F64E-DEF3-4546-9504-CC35034742AE_1_201_a.jpeg Blog - From Fosse to Ari: The Origin of Ariana Grande’s “yes, and?” Video - The new show that Gideon is working on entitled, NY/LA, a loose reference to Fosse’s very own, Chicago, features a musical number about airline travel called “Take Off With Us” (a cheeky title already filled with foreshadowing). Gideon invites a few suit-wearing financial backers to preview the song and dance, which starts out with the character of a purser (Sandahl Bergman), along with her crew of dancing flight attendants, touting the exceptional service they will bestow up their passengers (“They only live to service you...”). The first half of the performance is bubbly, which garners smiles, even a round of applause midway through from the straight-laced observers, but unbeknownst to them, there’s a second half that suddenly turns steamy (literally), with one of the dancers welcoming all aboard “Airotica,” Gideon’s ode to the “Mile-High Club.” https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/c6c58a00-fde0-48e8-8466-d2ac9c1e2538/0DC2EB14-8018-4586-A3F5-3A245E452733_1_201_a.jpeg Blog - From Fosse to Ari: The Origin of Ariana Grande’s “yes, and?” Video - The studio goes dim, now lit only via a few flashlights, with the dancers peeling off their clothes (the “take off with us” double entendre now realized), and pairing up to perform a sensual, then overtly sexual, albeit artistic, number, much to the confusion and disappointment of the backers, the realization sinking in about the limited monetary and sponsorship potential that the addition of “Airotica” will bring. “There goes the family audience,” the head backer whispers to his colleague. At the end, Gideon asks what they think, only for the head backer to feign acceptance and approval with a nervous smile. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/3d36e69e-1903-490d-a34b-b1d6a9980d8e/A12BA4E5-C6FE-45F8-8024-8FF723779D33_1_201_a.jpeg Blog - From Fosse to Ari: The Origin of Ariana Grande’s “yes, and?” Video - Ten years later, the dancer and choreographer, Paula Abdul used Fosse’s “Take Off With Us” as the basis for her “Cold Hearted” music video, directed by a then relatively unknown, David Fincher. The video starts out with a group of record-company executives arriving at a rehearsal space, seemingly uninterested in what they’re there to preview. One says it’s a “Bob Fosse kind of thing; it’s gonna be really, really hot,” to which another executive nervously replies, “Yeah, but tastefully, it’s tastefully hot.” https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/f94935bf-9583-4ba0-b711-dc4e73888f4e/BB418B0D-6C38-4142-A4C3-F647EE26D6C5_1_201_a.jpeg Blog - From Fosse to Ari: The Origin of Ariana Grande’s “yes, and?” Video - The first two verses and choruses find Abdul and her crew dancing much to the toe-tapping approval of the executives, but by the bridge, a couple of the dancers begin lowering the window shades, thus beginning Abdul’s (understandably much tamer) version of “Airotica.” https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/2ce99769-f6b8-4935-865e-7f69aac25729/3769B46A-F185-41E8-85D0-5B13478A74A0_1_201_a.jpeg Blog - From Fosse to Ari: The Origin of Ariana Grande’s “yes, and?” Video - A couple of the executives are turned off, a couple of them turned on. Similar to Gideon asking his backers, Abdul asks her audience, “Well, what do you think?,” to which a conservative executive reluctantly replies, “It’s very nice.” https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/807b7bc2-2819-4b2d-a5bc-e01f68c232a5/C85EA9D4-C61A-43F6-A519-489D7BFF9222_1_201_a.jpeg Blog - From Fosse to Ari: The Origin of Ariana Grande’s “yes, and?” Video - In January 2024, Grande released “yes, and?” as a self-empowerment reminder amid a social-media culture of click-and-critique. The video came at a time when Grande, once again, became the subject of chatter surrounding her personal life, specifically her short-lived marriage, and quick subsequent kindling of a new relationship with a co-star from the film adaptation of Wicked. For the Christian Breslauer-directed video for “yes, and?,” which starts similarly to Abdul’s, a group of jaded critics reluctantly arrive at an industrial space, yet ironically can’t seem to talk about anything but Grande and her signature ponytail, with some of the critics even rehashing, and reacting to, internet-sourced gossip. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/c3cc2a9b-f0dc-4ef0-aa9c-22d34e3fcacc/D727E349-1C98-48EB-8CB2-B66F092D10C8_1_201_a.jpeg Blog - From Fosse to Ari: The Origin of Ariana Grande’s “yes, and?” Video - As these critics enter the space, an elated group exits. The new batch take their seats in front of a series of stone statues, one of which is in the form of Grande with her hands covering her eyes in a see-no-evil posture. As the song’s beat drops in, the statues crumble into piles of rubble. Grande is released to tell her story, with the bridge reserved for commentary to those who deliver just that about her (“Don’t comment on my body/do not reply/your business is yours/and mine is mine”). https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/c08fcb7e-aee6-41af-9fb2-bb5fc1f4c143/A02A1E00-1240-469D-A527-947FA12C8AF0_1_201_a.jpeg Blog - From Fosse to Ari: The Origin of Ariana Grande’s “yes, and?” Video - Through confident lyrics and cohesive choreography, Grande and her dancers persuade the critics to drop their metaphorical stone exteriors as well. Yet just as this is achieved, she and her dancers within a flash assume their statuesque personas once again, perhaps symbolic of the thick shell needed to navigate the current, all-too-easy, drop-a-comment culture. As the newly elated converts leave, yet another cluster of critics enter, they too soon to be shook. https://www.popzeal.com/blog/five-madonna-concert-faves monthly 0.5 2024-02-07 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/b54e369c-1c6c-440d-bcfa-dc69cf9c7bcc/A1CD5FBA-84C2-45EB-BF09-DF22C14B6D66_1_201_a.jpeg Blog - Tour de Force: Five Madonna-Concert Faves - To commemorate her 40 years in the music industry, Madonna recently embarked upon her Celebration Tour, essentially a greatest-hits tour that also affords the Queen of Pop the opportunity to perform fan-favorite singles she hasn’t performed in a live-concert setting. One such track is “Nothing Really Matters,” her epiphanic Ray of Light reflection on love, and the cyclical nature of karma. The latter is smartly conveyed through stage design (rotating platforms; circular lighting rig) and costume (halo headdress; spherical cutouts in her “Frozen”-inspired gothic gown). This particular performance captures some of the signature elements that go hand in hand with a Madonna tour: music, fashion and (performance) art. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/cd1b116f-ba62-44e2-a7a3-011d4564a732/7C6CBCAF-99F0-42DE-B0E0-4B4F02BB3AD0_1_201_a.jpeg Blog - Tour de Force: Five Madonna-Concert Faves - You Always Remember Your First: Madonna set out on her debut tour with 1985’s The Virgin Tour, with a setlist composed of tracks from her self-titled album, and her second album, Like a Virgin. Her Detroit, Michigan stop was the setting for the concert film, Madonna Live: The Virgin Tour. Throughout the 55-minute film, she exuded raw talent, and within minutes, it was evident she was doing exactly what she was meant to do: dance and sing (“get up and do your thing”). Although, at times, there’s evidence of a backing track, Madonna takes full ownership of her voice, and performed the vigorous choreography without gasping for air, tangling a rosary, or dropping a tambourine. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/708b939e-1714-41ff-8155-d0f3c7aeb8c1/69BEBC9A-4FCC-4159-B59B-3785A2DE71C3_1_201_a.jpeg Blog - Tour de Force: Five Madonna-Concert Faves - Act of Ambition: Her most theatrical, and controversial, show to date, Madonna’s 1990 Blond Ambition World Tour was a rallying cry against ‘80s conservatism that could easily be summed up in two simple words: express yourself. And she, and her corps of dancers, did just that during a show that pushed buttons and purposely pushed the envelope. When “Causing a Commotion” turned 30, I wrote a post about this third song in the tour setlist. It’s one of the best in the show, for it captures some of the elements that make the Blond Ambition Tour so iconic. For starters, the show is style with sociological substance. To read more, click here. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/90a83841-6678-480c-b697-dbb7b4a24950/070CD23A-A2F7-4D9E-BCB0-277C58A1F1EF_1_201_a.jpeg Blog - Tour de Force: Five Madonna-Concert Faves - I Dream of Androgyny: If one thought Madonna couldn’t get any more controversial with the Blond Ambition World Tour, in 1992 she released her Erotica album, and the art-core coffee-table book, Sex. A year later, she launched The Girlie Show. Madonna’s platinum-blond pixie cut was the antithesis of the robo-ponytail that she sported on her previous tour, allowing her to blur the lines between conventional female and male. The four female dancers, who also embraced an androgynous aesthetic, each with short, boyish haircuts, served as doppelgängers of their male-dancer counterparts. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/99989dcf-7302-4f5f-a6c2-50f4e50918f6/FDE3D1C9-7CCB-485F-821A-4B61593EB0F9_1_201_a.jpeg Blog - Tour de Force: Five Madonna-Concert Faves - Pop as Punk: By 2001, Madonna hadn’t toured in 8 years. During that time, she starred in the Alan Parker movie-musical, Evita, gave birth to her daughter, Lourdes, and recorded and released her masterpiece that is Ray of Light. One year into the new millennium, Madonna set out on her Drowned World Tour to further support the already successful Ray of Light album. The opening section donned an English punk-rock sound and vision, with the audience seeing and hearing Madonna play electric guitar live on “Candy Perfume Girl,” followed by a cheeky ‘60s-pop performance of “Beautiful Stranger,” the song she contributed to the Austin Powers: The Spy Who Shagged Me soundtrack. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/c24018aa-a17d-48a1-a599-feae79e74b0e/EA5A8460-3159-492B-AAF1-0BA7B4C188A3_1_201_a.jpeg Blog - Tour de Force: Five Madonna-Concert Faves - I Must Confess: The 2005 Confessions on a Dance Floor era was Madonna’s return to (‘70s disco) dance-pop. In 2006, she launched her taut Confessions Tour, which incorporated a gigantic mirror ball that descended from the rafters to open the show. This iconic symbol cracked open like a crystal-encrusted egg, and hatched the icon herself, dressed in an English-equestrian outfit, complete with a riding crop used as a “dominant” double entendre. “Future Lovers” mashed up with Donna Summer’s “I Feel Love” set the modern-day disco tone, followed by “Get Together,” then a remarkable remix of “Like a Virgin,” performed with physical prowess on a merry-go-round-inspired cowboy saddle, with a powerhouse parkour-heavy performance of “Jump” to conclude the opening section. https://www.popzeal.com/blog/life-after-death-cult-classic-clue-movie monthly 0.5 2023-10-28 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/104db4dd-6121-4adf-9489-7bee310507b1/88560BD5-8606-4475-A5E5-EC224D81A56F_1_201_a.jpeg Blog - Life After Death: The Cult Classic That is Clue - It boggles the mind to think that the 1985 comedic murder mystery, Clue flatlined upon its initial theatrical release. Opening on December 13, 1985, the film, co-conceived by John Landis, and based on the classic Parker Brothers’ board game, was up against The Jewel of the Nile, the sequel to the successful adventure-comedy, Romancing the Stone, with Rocky IV and Landis’ Spies Like Us also continuing to do well commercially. One thing I don’t understand (one thing?): Why Clue didn’t get an October or Halloween-season release-date, considering its murder-mystery genre. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/f44300a5-e98d-4178-9e88-6f3626f662d0/1AC54331-DEF6-4150-8C66-D7384A4EC854_1_201_a.jpeg Blog - Life After Death: The Cult Classic That is Clue - However, with the help of cable television, and the birth of the VHS rental market, Clue was brought back to life by viewers, in their living rooms, with the remote control. From John Morris’ Hitchcockian, Bernard Herrmann-inspired orchestral score during its opening credits, to the solid cast of “colorful” characters that the viewer meets one by one as each arrives at a spooky manor on a dark and stormy night, Clue is “cozy murder” at its best. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/01c140a7-45d2-4afd-b6cd-2974e65e43ef/EA02C193-059C-4CCC-8BCC-6C4EE75C1EA2_1_201_a.jpeg Blog - Life After Death: The Cult Classic That is Clue - The screenplay’s mid-1950’s timeframe allowed the director and screenwriter, Jonathan Lynn, to weave in satirical jabs at McCarthyism, conservative moral codes, even good ol’ fashioned capitalism. But mostly, Clue works because of the sharp lines of dialogue, quickly delivered between characters. Tim Curry’s Wadsworth, the Butler, not only tidies up the kitchen and the dining room, but takes it upon himself (as a workingman’s Hercule Poirot) to neatly wrap up the mystery via a zany, fast-paced, cartoon-caliber reenactment of the evening’s events, where the viewer discovers the whodunit and two other who(could’ve)dunits. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/c70a67d1-fe5b-46c4-87c2-ad84239f4a67/09092B43-37D7-4816-A622-38BB72B48993_1_201_a.jpeg Blog - Life After Death: The Cult Classic That is Clue - Repeated airings and rentals in the ‘80s and ‘90s, and purchases, of Clue have earned the film a large fan base, to the point where it’s easily reached cult-classic status. In particular, Madeline Kahn’s improvised “flames” monologue is a fan favorite, and probably the movie’s most recited section. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/ec8e8962-3339-42e4-b45c-4ed9bf034f87/EC9B51DC-48A0-4152-A184-76DAACB2E5ED_1_201_a.jpeg Blog - Life After Death: The Cult Classic That is Clue - Long story short (too late): Clue certainly proves that just because something doesn’t break box-office records doesn’t mean it’s destined for the bargain bin and into obscurity; with a strong ensemble cast, a witty script full of memorable lines, and the support of a deeply loyal following, a film such as Clue can take on a life (after death) of its own. https://www.popzeal.com/blog/gotta-have-fate monthly 0.5 2023-09-28 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/e9da0fe3-26b7-46b7-8ffd-9589be68364a/23548999-4B7E-42D1-AB21-EDABC472C22F_1_201_a.jpeg Blog - Gotta Have Fate - The Netflix documentary, Wham! is as much about destiny, as it is about one of the biggest pop acts of the 1980s and its global impact over a mere five years. The story of how Georgios “George Michael” Panayiotou and Andrew Ridgeley became the legendary pop group is told mostly through archival footage and audio soundbites. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/6f1ecc1c-7332-46a3-8183-010973e134e4/A80AE2AA-9C4C-4345-B7D3-70A8E64736AB_1_201_a.jpeg Blog - Gotta Have Fate - Meeting at school as pre-teens, Andrew and Yog, Andrew’s nickname for Georgios, became friends with a mutual interest in music. By their late-teens, the pair began writing catchy tunes laced with social commentary, plus ones that embraced the frivolity of youth culture (“Club Tropicana”), as well as others that appeared on their 1983 debut album, Fantastic. “Wham Rap! (Enjoy What You Do),” “Bad Boys” and “Young Guns (Go For It),” positioned Yog, professionally known as George Michael, as the rebellious protagonist, hell- (or heck-) bent on avoiding the 9 to 5 and “death by matrimony,” and set on saving Andrew Ridgeley’s character from a “straight-laced” life (one without George). Besides the (not-so) underlying homoerotic subtext, gay subculture iconography played heavily: leather jackets; tight jeans; aviator glasses—a look that solo George would don again for the Faith era. The musical and visual appeal of Wham! was far-reaching. https://www.popzeal.com/blog/heart-beats-the-summer-of-kylie-minogue-and-padam-padam monthly 0.5 2023-09-01 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1ef12ea5-c0c9-4f1f-a43e-84dd440c5e21/9BEBD372-9705-4CBA-9EBD-C930B6B1398F_1_201_a.jpeg Blog - Heart Beats: The Summer of Kylie Minogue and “Padam Padam" - Although the official unofficial start to summer begins during the Memorial Day weekend in the latter part of May, Kylie Minogue’s summer to remember began on May 18, 2023, with the release of “Padam Padam,” the first single from her 16th studio album, Tension, out September 22. Snippets of the song teased before its release hinted at a more mysterious sound, with its electro-altered vocal and an ominous guitar riff. No one could have predicted, even Kylie and her production team, that this dark, menacing intro would kick off, what many would later consider to be, the “song of the summer,” a coveted title often associated with a lighter, more upbeat pop sound, reflective of that school’s-out, sun’s-out sense of carefree abandon. It’s the track’s (heart)beat-thumping chorus that would allow it to set itself apart from other pseudo contenders. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/84e859ed-0deb-40bf-8069-4307389a9b01/2D9A3E19-C0B2-4B54-9BD1-9C3630A2E8A9_1_201_a.jpeg Blog - Heart Beats: The Summer of Kylie Minogue and “Padam Padam" - The second moment also occurred in early June, when Kylie surprised the crowd of 80,000, who attended Capital’s Summertime Ball music festival at Wembley Stadium. The radio group posted the two-song set to its YouTube channel, which at the start of the performance featured a pre-filmed compilation of Kylie clips and some career stats. The cameras down on the stadium floor captured the reaction of some of the audience members (many presumably in their twenties) as they began to realize that the Aussie superstar was on the bill. It’s one of the most important moments in Kylie’s career: Here, a pop-music icon, some 36 years into her career, is connecting with many who weren’t even born when “The Loco-Motion” or “I Should Be So Lucky,” or perhaps even “Spinning Around” or Kylie’s signature, “Can’t Get You Out of My Head,” were released. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/25219cb3-5ff8-45ff-9e57-a5de790a62c9/A10509CA-B01A-43DF-9D6C-D7DF262EA110_1_201_a.jpeg Blog - Heart Beats: The Summer of Kylie Minogue and “Padam Padam" - Kylie then went from stadium to studios, appearing on NBC’s “TODAY” show, and Bravo’s “Watch What Happens Live” with Andy Cohen, where Cohen asked her point blank if she had any plans for a U.S. tour or a Vegas residency, to which she coyly replied: “Very possibly.” The “very possibly” turned into “very definitely” in late July when she officially announced a Las Vegas residency at the Venetian’s newly renovated, 1,000-seat venue, Voltaire. She and casino executives were riding a “Vegas High” along with fans worldwide, but fast forward to August 9 when many of those fans went from a high to a letdown, due to a chaotic ticket-purchasing experience, and a crash of Voltaire’s site. Regardless, the first set of shows for November and December 2023 and January 2024 quickly sold out, as well as a second set of shows for the early part of 2024 that were later added. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/88b962a1-0e79-405e-88b4-c7d57563b406/513903B0-A42A-4BE7-8D42-28E081573796_1_201_a.jpeg Blog - Heart Beats: The Summer of Kylie Minogue and “Padam Padam" - Kylie also appeared on few radio programs in the U.S., such as the “Zach Sang Show,” and on 102.7 KIISFM, to talk “Padam Padam,” the new album, the residency, and much more. Around this time in August, the single had cracked the top 40 on Billboard’s U.S. Adult Top 40 and U.S. Mainstream Top 40 charts. Also, it climbed to number 1 on the U.S. Dance/Mix Show Airplay chart. https://www.popzeal.com/blog/a-big-fan-of-fran monthly 0.5 2023-08-01 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/46247d70-e138-487f-8707-79107c0ceabf/35EA0D8D-4C63-44F3-9AFA-6EEF84595DFB_1_201_a.jpeg Blog - A Big Fan of Fran - Direct and decisive, Fran Lebowitz (author of Metropolitan Life; Social Studies; writer for Interview and Mademoiselle magazines) has offered up her observations and opinions about life, and life in New York, since the 1970s. In Martin Scorsese’s 2021 seven-part Netflix docs-series, “Pretend It’s a City,” Lebowitz goes from putting her perspective down on pen and paper (literally, as she doesn’t own a computer, a cell phone, or an electronic tablet) to conversing across a table with Scorsese about Times Square, public transportation, her lifelong passion, and strict reverence, for books, and much more. And in doing so, Lebowitz delivers something epiphanic in nearly every 30-minute episode (her thoughts on the basketball legend, Michael Jordan springs to mind, for starters). https://www.popzeal.com/blog/five-for-pride monthly 0.5 2023-06-25 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/32940871-b068-4e41-abf8-17e9500c1fd2/6EE4CEF7-A7FC-4AF8-9918-91A10CFFF801_1_201_a.jpeg Blog - Five for Pride - Ultra Anthem It’s safe to say that since 1997, Ultra Naté’s now-classic house track, “Free” has been a Pride-parade staple. The heartfelt message is right there in the chorus (“Cause you’re free/to do what you want to do/You’ve got to live your life/Do what you want to do”). And to drive home that empowering message, the tail end of the bridge (“Don’t be scared, your dream’s right there/You want it [you want it], reach for it!”) provides that soulful burst of encouragement to anyone about to embark on a new chapter. There are a number of variations of “Free,” but the “Mood II Swing Radio Mix” is essential for any Pride playlist. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/04af807d-fa8d-413b-abc8-ff0be767326d/D10F3CFC-3E59-4893-ACAA-7C77C842425E_1_201_a.jpeg Blog - Five for Pride - (Chosen) Family Ties And speaking of embarking on new chapters, in more ways than one, the 1993 limited TV series, “Armistead Maupin’s Tales of City,” set in San Francisco in 1976, follows sheltered Ohio-native Mary Ann Singleton (Laura Linney’s breakout role) as she decides to go from visiting vacationer to full-time resident. She moves into a utopian-inspired apartment complex on 28 Barbary Lane, run by an eccentric landlady, Anna “Dear, I have no objection to anything” Madrigal (Olympia Dukakis). https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/8e8ee76e-98ae-4bfe-909c-5524581cc2d6/D861A3C4-4897-4212-957C-82CAEA629B06_1_201_a.jpeg Blog - Five for Pride - Mary Ann befriends her fellow tenants, whose lives are also explored, including Michael “Mouse” Tolliver, a gay hopeless romantic. She also begins a new job, dabbles in dating a couple of questionable men (Mary Ann’s namesake says it all: single-ton), and broadens her horizons in the city by the bay. Mary Ann undergoes a kind of “coming-out process” of her own, moving from straight-laced Ohioan to straight ally San Franciscan. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/d400030c-34c9-46a9-9b05-e7ae7d72710e/866A7AB2-5814-4486-A3AF-1F20E4CD4176_1_201_a.jpeg Blog - Five for Pride - Trick is Full of Treats The 1999 rom-com, Trick is a smart story that turns what was supposed to be a casual hookup between a shy composer, Gabriel (Christian Campbell, left) and a go-go boy, Mark (J.P. Pitoc, right) into something heartwarming and hilarious. (The scene featuring a monologue by Miss Coco Peru [Clinton Leupp] is one of the many memorable moments.) The film and its soundtrack are perfect companions for Pride: Gabriel pours his heart into writing the catchy “Enter You,” as performed by his friend, Katherine (the comedic revelation that is Tori Spelling); ‘70s soft-pop classics (Gary Wright’s “Dream Weaver”; Helen Reddy’s “I Am Woman”) get reimagined as ‘90s dance mixes https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/29d4f0fb-5e89-47b3-9fe9-18a74d8d825e/793EBA1D-CDFF-4F96-A53D-218B7D5A7169_1_201_a.jpeg Blog - Five for Pride - Pop-Art Portrait Soup cans in the ‘60s; Studio 54 in the ‘70s, likely two of the many things that come to mind when people think of the legendary artist, Andy Warhol. But in the Netflix documentary series, “The Andy Warhol Diaries,” based on Warhol’s 1989 non-fiction work of the same name, as edited by Pat Hackett, one learns more about the artist’s life behind the canvas and the camera shutter, particularly his personal relationships with interior designer, Jed Johnson, and Hollywood studio executive, Jon Gould, as well as Warhol’s complicated collaboration with fellow influential artist, Jean-Michel Basquiat. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/fe90a841-d9ca-47dc-9a16-fe5915aae361/EA6C7004-F61F-44E3-8C05-9ADFE64246BB_1_201_a.jpeg Blog - Five for Pride - Ford. Firth. Fab. Fashion designer, Tom Ford made his directorial debut with 2009’s “A Single Man,” which is based on the 1964 novel by Christopher Isherwood. Colin Firth plays a 1960s professor named George Falconer, who is devastated by his partner, Jim’s sudden death (the “phone-call scene” was reason enough for Firth’s Academy Award nomination). Heartbroken, George tries to “just get through the goddamn day,” and it’s through flashbacks that the viewer sees how George and Jim met, as well as a few of the ordinary, yet not any less significant, moments from their life together. https://www.popzeal.com/blog/platinum-portrayal-ana-de-armas-golden-performance-in-blonde monthly 0.5 2023-05-17 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/50a5ebcd-a6e4-4505-9ccd-12d9e160fd9e/10BCFFE1-CB4D-4240-BA50-E331B427B6B9_1_201_a.jpeg Blog - Platinum Portrayal: Ana de Armas’ Golden Performance in Blonde Disclaimer: Please note that this article about the film, Blonde, features content related to mental and emotional trauma, and other similar themes, that may be triggering for some. Reader discretion is advised. While many reviews of Andrew Dominik’s Blonde, the 2022 film based on Joyce Carol Oates’ historical fiction novel of the same name, were rather scathing, it’s Ana de Armas’ portrayals of Norma Jeane Mortenson and Marilyn Monroe that serve as the main reason to muster up the courage to try and commit to watching the often disturbing and disjointed three-hour film. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/f57ab454-d168-4604-8762-258c20bfb487/2BACFAE2-3FF3-46CB-BFB2-59CA621EF3FF_1_201_a.jpeg Blog - Platinum Portrayal: Ana de Armas’ Golden Performance in Blonde - 5. Calling the Shots: After talking to her agent by phone about the glaring salary inequity between her and a much-higher-paid Jane Russell for 1953’s Gentlemen Prefer Blondes, Norma Jeane calmly questions: “And I’m playing the blonde, in Gentlemen Prefer Blondes? That’s an insult.” She remains polite, even announcing: “I’m gonna hang up now,” but a second later her agent calls her Marilyn, to which Norma Jeane angrily replies: “F*** Marilyn, she’s not here!” and slams down the receiver. de Armas gives Norma Jeane a look of stunned disbelief at what has transpired, but soon proudly smiles at her newfound confidence. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/4ca2b9f0-f4c5-47b8-bb30-12a3a788086b/12FC799A-0DD8-430F-84C3-D4B7DDBF8E7F_1_201_a.jpeg Blog - Platinum Portrayal: Ana de Armas’ Golden Performance in Blonde - 4. Pink Diamonds: de Armas is Monroe’s Lorelei Lee doppelgänger in Blonde’s recreation of the classic “Diamonds are a Girl’s Best Friend” musical number from Gentlemen Prefer Blondes. With only two days to learn the choreography, de Armas captured Monroe’s hand gestures, shoulder shrugs and slinky movements on the narrow staircase. de Armas did 21 takes, with Dominik using the 21st in the final film. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/ab50da56-dd4b-49f8-ba8b-3106765380b1/C6B882D0-45F2-442B-8B67-314EDE8D22E3_1_201_a.jpeg Blog - Platinum Portrayal: Ana de Armas’ Golden Performance in Blonde - 3. Audition Ambition: In the scene where a nervous Norma Jeane auditions for the role of Nell for 1952’s Don’t Bother to Knock, it’s her opportunity to show the (uninterested) male powers that be how connected she is to the character, to the material and to what it represents. Norma Jeane delivers a solid audition (complete with de Armas dropping a single tear down her left cheek), but still asks to do the reading again. de Armas conveys Norma Jeane’s longing for connection, to be heard, not just seen. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/d2949705-7086-4559-8a5a-6aba94905be1/2E045770-824E-47D5-BBE1-1828E3C413ED_1_201_a.jpeg Blog - Platinum Portrayal: Ana de Armas’ Golden Performance in Blonde - 2. A Method to the Sadness: At an acting workshop, an in-depth, Method-style exercise eventually sends Norma Jeane down to the floor in hysterics. As a disheveled Norma Jeane tries to regain her composure, as if she’s been jolted awake from a nightmare, the teacher asks: “What were you thinking of?” To which she replies: “I wasn’t thinking.” She quickly tries to gather her thoughts: “Um, maybe… I was remembering?” This is one of de Armas’ strongest scenes, for its display of raw emotion offset soon thereafter by a subtle, shy smile and a loud sniffle during Norma Jeane’s responses, showing just how committed Norma Jeane was to exploring her acting craft, even after an intense reaction. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/518b398d-6073-459c-ae39-30a5b6b964ec/80EB04D0-31AB-4486-A8BB-F562EF67A08E_1_201_a.jpeg Blog - Platinum Portrayal: Ana de Armas’ Golden Performance in Blonde - 1. Mother and Child Reunion: Early in the film, a seven-year-old Norma Jeane is living in Los Angeles with her mentally and emotionally unstable mother, Gladys. After surviving in a volatile, violent environment, Norma Jeane is placed in an orphanage, while her mother is eventually institutionalized. One of de Armas’ most gut-wrenching scenes occurs when Norma Jeane sees her mother for the first time in well over 10 years. de Armas’ reaction is visceral, capturing the sadness of separation, followed by her scanning her mother’s face in confusion. Despite their deeply dysfunctional history, it’s simply a child wanting her mother. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/edecfbf9-b9fe-496e-a4b3-9277aa3f8549/4D2C8C5C-B03E-49DB-A8FD-7C4D72AAD1D0_1_201_a.jpeg Blog - Platinum Portrayal: Ana de Armas’ Golden Performance in Blonde - Honorable Mentions: de Armas has other remarkable moments in the film. For instance: The recreation of “I Wanna Be Loved By You” from 1959’s Some Like It Hot. Norma Jeane is on set in Monroe mode, playfully and seductively lip-syncing to the track, but quickly de Armas’ face switches to reveal a devastatingly deflated Norma Jeane, who stops mid-scene, and puts her head in her hands, only to then erupt ferociously in anger over the alleged demeaning on-set gossip about her. In seconds, de Armas’ range runs the spectrum from physical embodiment to mentally distracted to emotionally enraged. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/42a13ae5-2cf9-42a7-9be8-f5dbe212d274/3076AF17-B2D3-43BF-A562-0AA25CFDB04C_1_201_a.jpeg Blog - Platinum Portrayal: Ana de Armas’ Golden Performance in Blonde - Also, Norma Jeane’s meeting with “The Playwright,” is a rare occasion that we see her calm and self-assured. She’s clearly smitten with the intellectual across the table, and she beams at the professional and personal possibilities. Their flirtatious exchange of the greeting, “Hey, you” is one of the film’s sweet, all-too-brief moments. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/95404d23-15d0-4537-8eb5-4d85466eda40/0AB8DBAA-CA02-4D51-8FF7-9634391221A7_1_201_a.jpeg Blog - Platinum Portrayal: Ana de Armas’ Golden Performance in Blonde - de Armas received several acting-award nominations in early 2023, including an Academy Award nomination for Best Performance by an Actress in a Leading Role. And while she didn’t win any golden statues, her performance is the gleam amid all the gloom. https://www.popzeal.com/blog/the-pop-zeal-project-track-85-ll-cool-j-around-the-way-girl monthly 0.5 2023-02-22 https://www.popzeal.com/blog/flowers-power-mileys-message-of-self-sufficiency monthly 0.5 2023-02-05 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1dca3c7b-dd35-4351-8229-3f06347c77fd/2D305695-49D9-4A6B-B793-43013ECC9C50_1_201_a.jpeg Blog - “Flowers” Power: Miley’s Message of Self-Sufficiency - The new year is blossoming beautifully for Miley Cyrus, as the debut single, “Flowers,” from her upcoming album, Endless Summer Vacation, reached the number 1 spot on the Billboard Hot 100 in late January. The track, co-written by Cyrus, Gregory Aldae Hein and Michael Pollack features references to Cyrus’ former marriage to the actor, Liam Hemsworth. In the first verse, “Built a home, and watched it burn” relates to the couple losing their Malibu house in the 2018 Woolsey Fire. But most notably, “Flowers” serves as a response to Hemsworth allegedly dedicating the Bruno Mars regret-filled ballad, “When I Was Your Man” to Cyrus. She offers a form of lyrical rebuttal in the following ways: https://www.popzeal.com/blog/intentional-disconnect-in-1961s-the-innocents monthly 0.5 2022-10-29 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/99e2260b-368e-41f0-9101-827ee831bdf4/CC9A20AD-700F-46E6-98DE-A068E7DF8CCC_1_201_a.jpeg Blog - “Secretive; Whispery; Indecent”: Intentional Disconnect in 1961’s The Innocents - Deborah Kerr stars as Miss Giddens, a governess hired to care for two children, Flora (Pamela Franklin) and Miles (Martin Stephens), at an English manor. An unsettling tone is set right from the beginning: Behind the initial screen blackness, pre-opening credits, the sound of a young girl (Flora) singing “O Willow Waly” creates a disturbing blurred line between wholesome lullaby and its mournful lament for a lost lover. The disconnect continues through the opening credits, now with birds chirping in the darkness; those familiar tweets most often heard at daybreak, instead of in the dead of night. And finally, a profile of a distressed Miss Giddens, clutching her hands together, tilting her head back with her eyes closed, her forehead glistening with perspiration; the sight of sweat common in the blazing sunlight, not in the glowing moonlight. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1667019681796-BYULAPZTSDSQ9RYRSQBO/99CD0580-5DED-4B73-8613-24BAD7E50CDA_1_201_a.jpeg Blog - “Secretive; Whispery; Indecent”: Intentional Disconnect in 1961’s The Innocents https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1667019710163-BBCR07OWOBHTW54XZANQ/42C7282C-56EA-4903-8D54-8D7AAA365FDD_1_201_a.jpeg Blog - “Secretive; Whispery; Indecent”: Intentional Disconnect in 1961’s The Innocents https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1667019732755-TFCRTDFB6PK5LZX62EN4/70E7548C-9C69-4FAB-A3AF-3DC67A55758A_1_201_a.jpeg Blog - “Secretive; Whispery; Indecent”: Intentional Disconnect in 1961’s The Innocents https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1667019754236-IDTMTL9G3XQJ8NTASWPG/9C03DA9B-4921-48E5-99CE-32AA0E6D56DD_1_201_a.jpeg Blog - “Secretive; Whispery; Indecent”: Intentional Disconnect in 1961’s The Innocents https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/42ef4002-5555-4e6d-a062-b3a62a21f0f1/D923E99E-5636-47E9-9B41-7EF110C2CFEF_1_201_a.jpeg Blog - “Secretive; Whispery; Indecent”: Intentional Disconnect in 1961’s The Innocents - The crisp black and white mentioned earlier is the work of the cinematographer, Freddie Francis, who used a deep-focus technique, which allows the foreground, middle ground and background to be equally sharp. One of the best examples is when Flora becomes oddly excited about nature’s brutality. She declares: “Oh look, it’s a lovely spider, and it’s eating a butterfly!” (Spiders aren’t usually described as lovely, creating another example of intentional disconnect.) The large depth of field simultaneously creates distance and claustrophobia for the viewer (a visual disconnect), while also establishing Flora as the spider to Miss Giddens as the butterfly. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/dbee61bd-2eab-4a62-8df9-77eb5bbdf139/BE16B52F-D892-4927-BA1E-0FAF91D573C3_1_201_a.jpeg Blog - “Secretive; Whispery; Indecent”: Intentional Disconnect in 1961’s The Innocents - In addition to this macabre outlook on nature, mature subtexts run throughout, particularly ones dealing with the misguided affection between Miles and Miss Giddens. After learning more about two of the manor’s previous residents, Giddens begins to suspect the prim, proper, poetic Miles, and the once-sweet now emotionally hysterical, Flora are not who they appear to be, that something evil has entered the innocent (foreshadowed when Giddens admires a stone cherub in the garden, only for a cockroach to crawl out of its mouth). https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/ecdfb15a-d8a2-417b-8e77-43a42b248cf2/D38C784F-7302-4F21-9F36-C808182E6D4B_1_201_a.jpeg Blog - “Secretive; Whispery; Indecent”: Intentional Disconnect in 1961’s The Innocents - Giddens conveys to Mrs. Grose, the housekeeper enveloped by extreme denial, that both children “are playing, or being made to play, some monstrous game. I can’t pretend to understand what its purpose is; I only know that it is happening: something secretive, and whispery, and indecent.” (Undoubtedly, Capote-penned prose.) The relationship between Miles and Flora becomes suspect as well. Flora seems to have a psychic connection to Miles, knowing when Miles will return home from his school, permanently dismissed for bad behavior, even before Miss Giddens or Mrs. Grose. Giddens becomes watchful of the two siblings as they hold hands, walking closely together toward the town church. A concerned Giddens says to Mrs. Grose: “Look at them. What do you think they’re saying?… They’re talking about them; talking horrors.” https://www.popzeal.com/blog/impossibly-indie-three-hd-videos-from-kylie-in-the-90s monthly 0.5 2022-10-22 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/c85fc618-ab72-47be-9863-f33fd3bc6dc7/2BD48175-C07A-4885-95AD-79EE6A6F54C7_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s - Kylie Minogue’s sixth studio album, 1997’s Impossible Princess, marked another major shift in Minogue's career. Gone was the late-‘80s bubble-gum pop singer; g’day to ‘90s singer/songwriter, ready, willing and able to delve deeper into experimental territory. Surrounding the material, some of which explored topics such as personal happiness, and inner peace in spite of chaos, was a new sound, one significantly different from 1987’s “The Loco-Motion,” even from the dance-pop direction of 1990’s “Better The Devil You Know.” https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/d9527ef9-089b-4676-a675-d4a1529bd0e7/C7401F44-2D58-462A-9402-F25A3FEC8D89_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s - The David Mould-directed video for “Some Kind of Bliss” features Minogue and the actor, Dexter Fletcher, playing a devilish duo on the run (or more like on a ride, in a classic Pontiac). The Bonnie and Clyde-inspired tale is edited in a non-linear format, so it’s left up to the viewer to determine the actual order of the crime-spree events. Here’s a theory as to what the storyline would be if it was edited in linear sequence: https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1666416715973-7J634Z79TQ8688SNE0PH/EEF2AE15-1D13-4C01-A515-82FE2C69F267_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1666416734328-GIFO5GH3ZGJKTTZDLVVI/B449F307-700B-425C-9FBA-497D56DE7CB7_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1666416757361-O7JMHVRBFOON3CUPVQBT/4423735F-EDE4-4670-AA8A-6BD83D57344B_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1666416791067-BZJQRJN3EKHFI7U5MDDX/B19A9A15-6EED-43DD-B60D-55D8EA1AC90D_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/e7acecbc-e379-4f9d-8d20-b63cb036f65f/9EB8FB8A-6ABD-4642-9B95-D0E83E5C2215_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s - Many of Minogue’s previous videos, particularly the ones from the ‘80s, showed her as a happy-go-lucky (“lucky, lucky, lucky”) late-teen. “Better the Devil You Know” (1990) showed her as a girl all grown up, with “Some Kind of Bliss” showing Kylie as that good girl gone bad. What makes the video for Impossible Princess’ second single, “Did It Again” compelling—and comedic—is that it’s a tongue-in-cheek look at Kylie’s various professional personas in direct opposition with each other. The Pedro Romhanyi-directed video features four characters: Sex Kylie; Cute Kylie; Indie Kylie; Dance Kylie, in a police lineup, battling it out for the camera’s attention. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1666421121649-QLL3O2R0I518L8SYM4DG/253E5816-FFF0-44CE-917B-0BC23AA395A3_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1666420495817-1NLUQWVMNLJLPTSC9ERI/1A03DB75-B7BF-4D1E-8930-F57591970C72_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1666420521891-S5QQIXUU2GYR93TDZNJ4/2B08918D-4D4D-4441-8E8B-EC07922D4A30_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1666420559638-CJ5EFS1E2NYP79TVSMBW/DA4C6428-BF66-44B6-B398-F62C1E45BB72_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/e47fc8d9-4423-48ea-9b71-354cee2584d1/AE41CB00-E4FB-4B1B-84FF-B8B714B40EC7_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s - If “Some Kind of Bliss” is Impossible Princess’ most cinematic video, and “Did It Again” its most technically creative, the video for the third single, “Breathe,” directed by Kieran Evans, is its most beautiful, thanks, in part, to its artistic simplicity. Most of the video has Minogue, floating in a vast openness, in a nude-colored dress. Blurred, fragmented shots of her hands, fingers and feet are almost embryonic in nature. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1666421576892-V1Q5H03OOC8WOTQ1NR1I/955D9108-2851-4E8F-8573-CC7F2DBAFF26_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1666421598421-SQTHPOZ27SQK1A2BR24E/4FE850CD-C8DA-4683-8438-95CD5E512447_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1666421634128-LHIS34DQE6JRYDVWNL0C/9B4546AE-AD17-4F06-8E84-E830E2E7A1B3_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1666421651635-1DU77530H91R7SM9N3Y3/3BD786B8-CA86-4963-A612-F1EDE4D902CE_1_201_a.jpeg Blog - Impossibly Indie: Three HD Videos from Kylie in the ‘90s https://www.popzeal.com/blog/bundle-up-four-films-for-fall monthly 0.5 2022-10-01 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/f89b5a3c-8dc7-4b23-a02d-3b01e7075000/7459B79D-56E0-4F9E-80E5-560BB4CCB1C3_1_201_a.jpeg Blog - Bundle Up: Four Films for Fall - The 1998 Nora Ephron film, You’ve Got Mail delivers fall-season vibes big time: Tom Hanks; Meg Ryan; a witty rom-com script; New York in the fall (“makes me wanna buy school supplies”); a heartwarming soundtrack; the unforgettable Parker “I’m having my eyes lasered” Posey. Back then, it was dial-up email, now it’s Wi-Fi, social media, and sliding into someone’s DMs that can create love connections. Classic cinematic themes of opposite attract, the importance of internal beauty, and a tireless faith (fate) in love make this a fall-season film essential. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/11450aca-d4cc-4d1b-84e2-789a1c904d5f/1E860064-A040-4937-B21C-4508D5770ABB_1_201_a.jpeg Blog - Bundle Up: Four Films for Fall - Right from the opening credits, which glides the viewer into a beautiful apartment, drapes flapping in the cool breeze, to a buffet table of savory selections, this film is the epitome of cozy cinema. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1c29bfa9-d90e-496b-b23b-81c9715d7590/5AB0D9EC-34DF-4079-859C-48475C8250A0_1_201_a.jpeg Blog - Bundle Up: Four Films for Fall - And remember, “that caviar is a garnish!” https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/c53c90d1-ffe7-493c-b6bd-5f46e8322d76/E404F771-9340-47C9-B0A9-986C83CC7116_1_201_a.jpeg Blog - Bundle Up: Four Films for Fall - During the scene that has Harry (Billy Crystal) and Sally (Meg Ryan) walking through the park, Sally sharing details (or lack thereof) of a longstanding sexual fantasy, the cinematographer, Barry Sonnenfeld captures the various orange hues and verdant shades of green in the trees. Just as the colors of the leaves begin to change, a natural visual indicator of autumn’s arrival, a shift begins for Harry and Sally. Sharing of a sexual fantasy is reserved for a more intimate bond, but here it’s shared in the context of a budding, once highly unlikely, friendship. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/04ac6064-cc96-4f4b-951d-a5ce14e83792/548024D5-3CCA-4E37-9808-DC0354A67251_1_201_a.jpeg Blog - Bundle Up: Four Films for Fall - In another scene, Sally, in a warm and toasty red turtleneck, confides in Harry about why she and Joe broke up. The “I spy a family” monologue is Ephron prose at its best. Sally mentions at the start of her story how she and Joe “wanted exactly the same thing.” But by the end of the story, they reach a crossroads, their “wants” become “needs”; it’s another change of heart, but it’s the type that divides people apart, instead of drawing them together. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/2412c48e-dc39-42e1-be3f-8ab959633cf7/77B6590E-574C-48A8-9BF0-CCAF1BD44817_1_201_a.jpeg Blog - Bundle Up: Four Films for Fall - As the film reaches its climax, not of the iconic deli-scene kind, it’s no surprise that it takes place on New Year’s Eve, the ultimate time of the year that signifies transition. Ephron writes another heartfelt monologue, this time Harry expressing an epiphany: “… When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.” I’ll have what he’s having. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/cf20ff17-9740-4a34-9316-0b1f4c692de8/714C13DD-3A3D-44CD-968A-F0EE59EA667E_1_201_a.jpeg Blog - Bundle Up: Four Films for Fall - Elisabeth Shue stars as Chris Parker, a suburban teen turned reluctant babysitter. Chris and the trio of kids now in her care are forced to leave the sheltered confines of suburban life, and head into the big, bad city to pick up Chris’ friend, Brenda (Penelope Ann Miller), who’s stuck in a downtown bus station. En route, everything that could possibly go wrong, does, and Chris must tap into her highly underdeveloped street smarts. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/eb935766-5b7f-4b83-9ada-8ce648ff45b1/D47FAD86-3CB9-4E43-B64A-15D1D40349A1_1_201_a.jpeg Blog - Bundle Up: Four Films for Fall - All the while, Chris tries to stay cool, and keeps warm, wearing gloves, a multicolored striped scarf, and a long brown coat that she inherited from her grandfather. A gold heart-shaped brooch rounds out the look; all are style cues indicative of Chris’ inherent maturity, and capability, well beyond her years. By film’s end, the character of Chris becomes the anti-Ferris, an underrated heroine of the ‘80s teen-comedy genre. Shue is lovable, relatable, and completely convincing in the role as the “every girl” in extraordinary circumstances. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/5293d89b-e5b6-4139-8e2b-673768eeeebc/8A2098DF-7023-465C-9631-8876FCE64B03_1_201_a.jpeg Blog - Bundle Up: Four Films for Fall - And we can’t forget Thor-obsessed Sarah (Maia Brewton), the coolest tyke on roller skates. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/bf56acdb-4b63-49a1-880b-3b5ac1d89bef/A8805BB2-8E04-4B40-927B-30FE4ABC73EB_1_201_a.jpeg Blog - Bundle Up: Four Films for Fall - Susan Sarandon’s Jackie Harrison is co-parenting two children with ex-husband, Luke (Ed Harris) and his new girlfriend, Isabel (Julia Roberts). Jackie and Isabel are at odds, with one of their wars of words taking place on a fall-leaf-covered battlefield, a fitting environment for Jackie to reveal her cancer diagnosis to Isabel. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/17c673b9-6588-427f-a750-c1209c2219a6/8EA58278-3C6B-4049-A0A0-A4306C22021F_1_201_a.jpeg Blog - Bundle Up: Four Films for Fall - Behind Isabel, the trees are alive and green, but cut to Jackie, and she almost blends into a background of fallen orange and yellow leaves, and somber earth tones. It’s after this exchange that their relationship softens, temporarily, and for the moment the tears dry, with death at one point even seen as comic relief. A Thanksgiving-themed school play features Jackie’s son, Ben (Liam Aiken) as a flying turkey (on wires) that is shot by prop bows and arrows, and muskets. A horrified Isabel asks Jackie: “Is he dead?” to which an unfazed Jackie replies: “Yeah, they killed him, but he does it so great!” https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/6f723e16-4945-42aa-8cfb-e0a80dba00a9/FBF64406-1861-46FE-9658-2A33E6230525_1_201_a.jpeg Blog - Bundle Up: Four Films for Fall - The story continues through the fall, and into winter, culminating in the emotional “And you can have their future” scene, the beautiful midnight horse ride, and finally, a warmhearted Christmas morning, with Ben, a budding magician, receiving a gold cage with a white dove as a surprise gift; the dove also serving as a symbol of peace, the newest member of the Harrison family. https://www.popzeal.com/blog/the-pop-zeal-project-track-84-gwen-stefani-the-real-thing monthly 0.5 2022-09-06 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/5aa7f861-afa4-4970-8cb4-06082bbc4443/CBEEEBCF-2CAE-477F-ADF3-2DD16E20F4D4_1_201_a.jpeg Blog - The Pop Zeal Project (Track 84): Gwen Stefani: “The Real Thing” - When Gwen Stefani of No Doubt ventured out to make her first solo album, 2004’s Love. Angel. Music. Baby., the singer used it as a creative outlet to pursue other forms of music besides the ska/post-punk sound, for which the band was already famous. While on The Harajuku Lovers Tour to support the solo effort, Stefani, during an interaction with the crowd after “Crash,” offered insight as to the intention behind L. A. M. B.: https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/6f8ec896-7e80-42db-905e-8c548799b4f7/B7709201-9BA2-4956-96A5-59239C6AE149_1_201_a.jpeg Blog - The Pop Zeal Project (Track 84): Gwen Stefani: “The Real Thing” - The song in the setlist before “Crash,” entitled “The Real Thing” was cowritten by Stefani, Linda Perry, and Stefani’s then-husband, Gavin Rossdale, and co-produced by Nellee Hooper (No Doubt’s “Hella Good”; “Running”; their cover of Talk Talk’s “It’s My Life”). Lyrically, the love song expresses how much one, after being with another for some time, still wants, and needs, the other around. Presumably, Stefani and Rossdale, each with their own rock-star careers and busy schedules, were writing about each other at the time, with the following lyrics a reflection of their relationship: “And we’re together most days/But I still love to have you around”. However, in 2016, after 14 years of marriage, Stefani and Rossdale divorced, making one of the track’s later verses a bit prophetic: “Heaven knows what will come next/So emotional, you’re so complex/A rollercoaster, built to crash/But I still love to have you around.” (Note another reference to the word, crash.) https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/7feb2005-132e-473c-a0e6-38d4a4e78135/57684CD5-6CBC-40A4-A30E-E4934C939E43_1_201_a.jpeg Blog - The Pop Zeal Project (Track 84): Gwen Stefani: “The Real Thing” - Gwen Stefani’s “The Real Thing,” and essentially the Love. Angel. Music. Baby. period as a whole, marks one of the most important moments in Stefani’s career: Sonically, it’s a purposeful step from ska to synth pop and other sounds; visually, as seen on The Harajuku Lovers Tour, it’s a shift from rugged rock star to polished platinum-Marilyn pop star, complete with what would become Stefani’s signature: the retro red lip. “The Real Thing” serves as another way Stefani solidified herself as the real deal. https://www.popzeal.com/blog/dancing-with-myself-aquaria-in-the-knocks-video-for-slow-song monthly 0.5 2022-04-06 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/94dcbb26-c486-4a38-829a-6d8e6bec1674/76E188A9-13CA-41B7-88D7-DE344263A7C9_1_201_a.jpeg Blog - Dancing With Myself: Aquaria Heads Out Alone in The Knocks’ Video for “Slow Song” - If the song itself isn’t shimmery enough, the Austin Peters-directed music video delivers the (lip) glossy glam, thanks to “Rupaul’s Drag Race” season 10 winner, Aquaria. Stuck in a dead-end job in the dead of night, Aquaria’s character closes up shop at the farmacia, and retreats to a nearly deserted dancehall to spiritually recharge, with music and movement the metaphorical sources of energy. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/7bd8c951-b397-4e30-b517-de99d07599f9/48B2CE11-1FEA-4DC3-B8C2-9083F8CA3356_1_201_a.jpeg Blog - Dancing With Myself: Aquaria Heads Out Alone in The Knocks’ Video for “Slow Song” - After sitting solo at a table, the stunning performer stands up, and sashays out to the dance floor, for what could be considered a Flashdance-finale moment.* https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1649138915645-5MMT0JI87VLBF5I4CB1K/60DEA602-B58B-46A8-AE31-67DBED98557F_1_201_a.jpeg Blog - Dancing With Myself: Aquaria Heads Out Alone in The Knocks’ Video for “Slow Song” https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1649138956233-YCCD8KMTSU3L29LSR2K9/01B047BD-E1FA-47EE-884D-EA0F60F342E2_1_201_a.jpeg Blog - Dancing With Myself: Aquaria Heads Out Alone in The Knocks’ Video for “Slow Song” https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1649224291709-JGKLPTYSCX4908FXH28U/88E7E366-0E64-4171-941A-2335637B6DF3_1_201_a.jpeg Blog - Dancing With Myself: Aquaria Heads Out Alone in The Knocks’ Video for “Slow Song” https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1649139087372-DQSUCY6394B85HOAJNMB/224254C0-FD6C-40C0-8274-E9B087A91B25_1_201_a.jpeg Blog - Dancing With Myself: Aquaria Heads Out Alone in The Knocks’ Video for “Slow Song” https://www.popzeal.com/blog/the-pop-zeal-project-carole-king-i-feel-the-earth-move monthly 0.5 2021-09-14 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1631586198667-IUJYAS6B4DKNO8CJ2Y9N/48995FB1-38FD-4D08-9728-838835F2AE1A_1_201_a.jpeg Blog - The Pop Zeal Project (Track 83): Carole King: “I Feel The Earth Move” - A determined pounding of the piano keys starts Carole King’s “I Feel the Earth Move.” The singer-songwriter-musician had already co-written tracks made famous by The Shirelles (1960’s “Will You Love Me Tomorrow”) and Aretha Franklin (1967’s “[You Make Me Feel Like] A Natural Woman”), but with her second solo release, 1971’s Tapestry, King continued to make her voice—and her piano-playing—heard. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1631586358040-D8VUF2J6FAYLBUYRY9W6/A8410E80-53FE-4FE0-91BD-0147DCA54CE3_1_201_a.jpeg Blog - The Pop Zeal Project (Track 83): Carole King: “I Feel The Earth Move” - With the Women’s Liberation Movement already in full force in the early ‘70s, King’s material weaved its way into the hearts, minds and spirits of young women in particular, allowing Tapestry to stay on the charts for an astounding six-plus years. On “I Feel,” she freely described, through expert lyrical and musical constructions, the emotional and physical experiences of new love, from a female point of view. The most provocative lyric is toward the end when King describes the ecstatic fever that comes over her when she’s near the person who rocks her world, going vocally high at “I get a hot and cold” then quickly dropping to quietly repeat “all over” four times, like a vocal gyration, until the track ramps up to the chorus once again. https://www.popzeal.com/blog/the-pop-zeal-project-track-82-jennifer-hudson-let-it-be monthly 0.5 2021-09-14 https://www.popzeal.com/blog/the-pop-zeal-project-madonna-give-me-all-your-luvin monthly 0.5 2021-09-14 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1617503658551-QW94D0WALRNS8UZ7V3AI/FCB56423-C391-43C8-8F88-F938A8F8A44B_1_201_a.jpeg Blog - The Pop Zeal Project (Track 81): Madonna: “Give Me All Your Luvin’” - What’s the Name of the Game? “Give Me All Your Luvin’” was the lead single from Madonna’s 2012 album, MDNA. Its merge of cheerleader chants and a ‘60s surf-music guitar riff would perhaps lead one to believe Madonna had gone go-go or bubble gum. But as the music video shows, Madonna as covered-up, stroller-pushing suburbanite is short-lived, and with the subsequent colorful bridge of the song featuring Nicki Minaj and M.I.A., any notion of Madonna adopting a “domesticated” persona gets wiped out. What she does sport, also evident in the video, is an acknowledgement and acceptance of her title as the “Queen of Pop”: https://www.popzeal.com/blog/this-is-how-you-debut-three-iconic-80s-albums monthly 0.5 2021-03-01 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1614571836856-BEYE4G0PFDH5XHDIWMEZ/920AD47D-2EC1-4513-A827-8C6273EB52B6_1_201_a.jpeg Blog - This is How You Debut: Revisiting Three Iconic ‘80s Albums - Madonna’s self-titled debut album will celebrate its 38th anniversary in July. (Take a moment to let that sink in.) In looking at the track list, every single single (“Everybody”; “Burning Up”; “Holiday”; “Lucky Star”; “Borderline”) contributed to the solid foundation for what would be a legendary career… who knew? (Madonna, that’s who knew.) The production team on the 8-song 1983 release consisted of Reggie Lucas, Butch Jones, Mark Kamins—the DJ who initially played “Everybody” at New York’s Danceteria—and her then-boyfriend, DJ John “Jellybean” Benitez. Madonna now had the sound, and MTV helped shaped the vision, allowing audiences to meet (eventually) one of the most culturally relevant figures of the 20th century. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1614572048625-WDR5Z7Z5K8NPV2S32N3X/8F376851-22AA-43EB-A3A7-567236604277_1_201_a.jpeg Blog - This is How You Debut: Revisiting Three Iconic ‘80s Albums - Besides Madonna, another dancer/singer with an incredible debut was Jody Watley. Her 1987 self-titled album featured: “Looking for a New Love”; “Still a Thrill”; “Don’t You Want Me”; “Some Kind of Lover”; “Most of All.” This former member of the group, Shalamar (“The Second Time Around”) hit the MTV rotation as hard as the beats that filled her synth-funk jams. An attitude-rich sound, “Soul Train” dance background and a downtown-fashion street style of thrift-store-inspired petticoats and voluminous skirts, along with equally voluminous hair and signature large-hoop earrings, only added to her vocal and visual appeal. Watley went on to win the Best New Artist GRAMMY in 1988. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1614572149497-DC8XIEVXHXCGENWCGW50/74EB7A61-8FFA-49EB-878F-DB5DDFDABB15_1_201_a.jpeg Blog - This is How You Debut: Revisiting Three Iconic ‘80s Albums - Another dynamic debut: Paula Abdul’s 1988 Forever Your Girl album, which included: “Knocked Out”; “The Way that You Love Me”; “Straight Up”; “Forever Your Girl”; “Cold Hearted”; “Opposites Attract.” (The latter four landed at #1.) Abdul skyrocketed during the music-video ‘80s, when dancers could also shine as singers, as was the case with Madonna and Watley. Abdul first worked behind the scenes, most notably on choreography for Janet Jackson, tour choreography for George Michael, and with many others artists of the era. But when Abdul stepped in front of the camera, she used music video to put tap dance back on trend, even referencing ‘40s Gene Kelly and ‘70s Bob Fosse, in turn, becoming a postmodern Ginger Rogers of the MTV generation. https://www.popzeal.com/blog/coppola-mechanism-francis-sofia-film-portrayals-loneliness monthly 0.5 2021-01-24 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1611462866730-7SEB3QLJ9PWXADSHW5II/C49B7A2D-F5A4-4F0C-BA12-D886845EBAD6_1_201_a.jpeg Blog - Coppola Mechanism: Francis and Sofia’s Different Portrayals of Loneliness - In between The Godfather and The Godfather Part II, Francis Ford Coppola directed another classic: 1974’s The Conversation. Gene Hackman plays Harry Caul, a San Francisco surveillance expert who delves relentlessly into other people’s lives. Yet after one assignment, which has him initially (just) eavesdropping on a wealthy man’s wife and her male companion, he eventually finds himself trying to save what’s left of his own life. The viewer, funnily enough in an inherently voyeuristic role, sees that it’s not much of a life to begin with (barren loft void of color or personality; awkward attempts at human relations, specifically ones with women). Yet Harry seemingly resounds himself to reclusiveness, a sort of Catholic-induced self-punishment for the guilt that goes along with doing what he knows is wrong. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1611463783783-2BFJ0GPI4TA3UEZALMP6/F26962B1-0E7E-458E-BFCE-B347FF40FFC5_1_201_a.jpeg Blog - Coppola Mechanism: Francis and Sofia’s Different Portrayals of Loneliness - Partly based on Sofia Coppola’s time in Tokyo during her early twenties, 2003’s Lost in Translation is one of the best at capturing loneliness. The scene when Charlotte (Scarlett Johansson) calls a friend on the phone—a symbol of communication and connection—illustrates yet another way Charlotte feels dismissed and disconnected, not just a stranger in a new city, but worse, in her own life. As she sits alone in her hotel room, high atop and removed from the hustle and bustle of the city below, tearful gasps represent, in more ways than one, a longing to find home. The film’s soundtrack of dreamy, melancholic melodies and fuzzy feedback create a sense of… wander, and at times convey a hopeful reawakening for Charlotte, and actor in mid midlife crises, Bob (Bill Murray), both looking to feel refreshed after spending their lives in a (jet lag) haze. https://www.popzeal.com/blog/the-pop-zeal-project-u2-new-years-day monthly 0.5 2021-01-24 https://www.popzeal.com/blog/ann-reinking-angels-and-all-that-jazz monthly 0.5 2020-12-22 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1608606274453-EF48K0FPB27JJR5B77LV/FFEBD7D6-8FFA-42F5-BE28-9E8475262CCF_1_201_a.jpeg Blog - Plié Your Respects: Ann Reinking, Angels and All That Jazz - The dancer, actress and choreographer, Ann Reinking had a professional, and throughout most of the ’70s, a personal relationship with choreographer, Bob Fosse. In his semi-autobiographical film fantasy, All That Jazz, Reinking was perhaps at her most inspiring. As Kate Jagger (essentially playing herself), she delivered convincingly (perhaps pulling from an all-too-familiar reality) an exhausted, heartfelt plea to Roy Scheider’s philandering Joe (Bob Fosse) Gideon: “I don’t wanna go out with Michael Graham, I don’t wanna date, I have no more small talk left. I don’t wanna fool around, I don’t wanna play games, and I don’t wanna fight, I just… want… to love you.” https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1608606441291-9UPLFXXQBWADMHI80N6T/7D261DB4-3F9D-408E-9B8F-5AF679ACADED_1_201_a.jpeg Blog - Plié Your Respects: Ann Reinking, Angels and All That Jazz - Although Joe is callous about casual sex, wound up about work and lousy at love, Kate remains ever-supportive, even continuing to serve as surrogate older sister/guardian (angel) to Joe’s daughter, Michelle (Erzsébet Földi, playing Nicole Fosse, daughter of Bob Fosse and fellow dance legend, Gwen Verdon). After Joe receives less-than-stellar early reviews on his new film, The Standup, Kate and Michelle as “those two dancing sensations, Jagger and Gideon” express through “an unrehearsed tribute” how much they love Joe, regardless of the “el stink-o, el flop-o” critiques. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1608606582910-GNNQLCYWHOGSOWPRYA7D/C9A96B00-AC4D-4931-A30F-5940C742D99B_1_201_a.jpeg Blog - Plié Your Respects: Ann Reinking, Angels and All That Jazz - It’s here where Kate is the angelic light, displaying exuberance and elegance, even providing nurturing notes to Michelle mid-routine. And as Peter Allen’s “Everything Old is New Again” comes to a close, a stressed-out Joe forgets his troubles, and gets happy, well, displays a rare smile. It’s a fleeting moment of joy for him—and the audience—as Fosse quickly cuts the scene and puts Joe back in his familiar morning-hangover routine of Visine and Dexedrine, starting another dark day that’s sure to be filled with issues of self-worth, the futile pursuit of perfection, and self-destruction. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1608606711470-C5RDA0T2CP2FYGVBK4VO/06BB5BEC-7F72-4338-B846-381FCA69D209_1_201_a.jpeg Blog - Plié Your Respects: Ann Reinking, Angels and All That Jazz - Later however, in one of Joe’s “hospital hallucinations,” Kate is as an angel of death of sorts, but one bedazzled in a black sequined bowler hat, high-cut leotard and tights nonetheless (a seductive Odile [the black swan] to her previous innocent Odette [the white swan] in a razzle-dazzle rendition of Tchaikovsky’s Swan Lake). In “There’ll Be Some Changes Made,” Kate warns Joe that the proverbial final curtain is about to come down if he keeps singing and dancing to the same ol’ tune. The light, in more ways than one, is about to go out. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1608607808666-CUEAX0K6M1YX0395DQ3T/E7BBE9E8-28C8-4E0F-88A3-E3A6350E778A_1_201_a.jpeg Blog - Plié Your Respects: Ann Reinking, Angels and All That Jazz - As only Fosse (and Gideon) could do—as a director controlling how things should appear and move about—Joe imagines his death as one sparkly, soulful, acid-rock finale to life; in the audience are people from his past, including Kate, sitting next to who we can assume is Michael Graham, the dancer she references earlier in the film. Fosse respected Reinking and her talent so much that she is also cast here as one of the “anatomy angels” who dances alongside Joe and “death emcee,” O’Connor Flood (Ben Vereen). Joe takes his final bow, and in a dolly shot floats toward another light throughout the movie, Angelique, the film’s true angel of death (played by Jessica Lange, Fosse’s romantic interest at the time); leave it to Fosse to fantasize that death is a flirty female. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1608606914530-BFR8N5BBGG5538XMZGXD/F94A38F0-A48B-4055-8840-B1B2DDB1EC30_1_201_a.jpeg Blog - Plié Your Respects: Ann Reinking, Angels and All That Jazz - After the end credits, it wasn’t the end for Reinking, who appeared in the film version of the Broadway musical, Annie, and as Micki in the comedy, Micki & Maude. In the late ‘90s, she starred in and choreographed the revival of Chicago on Broadway, which earned her a Tony Award for Best Choreography, and later co-created, -directed and -choreographed the musical retrospective, Fosse. With Gwen Verdon’s passing in 2000, Reinking became one of the major torchbearers of Fosse’s artistic legacy, until December 12, 2020 when she passed away in her sleep, a graceful exit to join the angels. All That Jazz cinematographer: Guiseppe Rotunno. https://www.popzeal.com/blog/time-passages-paul-thomas-anderson-boogie-nights monthly 0.5 2020-12-18 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1608011487024-XCIKNAOM6SQN38ULMCUG/596EC9C4-3058-4741-9053-36F0CA50E294_1_201_a.jpeg Blog - Time Passages: Musical Signposts in Paul Thomas Anderson’s Boogie Nights - Music. Score. For 1997’s Boogie Nights, director Paul Thomas Anderson used music as a “scene partner.” Early on, ‘70s soul (“Best of My Love”), pop (“Brand New Key”), funk (“Jungle Fever”), rock (“Spill the Wine”) and disco (“Boogie Shoes”) represented the frivolity of the sexually liberated era. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1608011666616-VUOCQ9SUZZ3FN48275JH/0C94B479-BF20-4918-85DE-867BD3216EE5_1_201_a.jpeg Blog - Time Passages: Musical Signposts in Paul Thomas Anderson’s Boogie Nights - “Jack Horner, filmmaker.” Set amid the production of pre-A.I.D.S. adult films, Burt Reynolds’ Jack Horner is the creator of “exotic pictures,” which were shot on film at that time, lending, as Horner would argue, artistic credibility. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1608011808921-I9JST5AMIXFI4ZGRKJK7/5B653C77-F26B-4F81-AA84-4729E623D383_1_201_a.jpeg Blog - Time Passages: Musical Signposts in Paul Thomas Anderson’s Boogie Nights - Far Gone While his “family” of fragile performers are kept close, it literally takes just a few seconds before the countdown to 1980 for Boogie Nights to go from glory days to gory nights, with William H. Macy’s Little Bill committing a series of disturbingly matter-of-fact violent acts at a New Year’s Eve party. It’s also Horner’s “wife” and “kids” descending into drug addiction, and the arrival of a new “cheap” format known as videotape, that signify the start of the downward spirals. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1608012079655-9ZL0UVDU6VOWKNBVVEJC/D1476213-0F4E-47FA-8B7E-1C2525C78F96_1_201_a.jpeg Blog - Time Passages: Musical Signposts in Paul Thomas Anderson’s Boogie Nights - Bad Vibrations Anderson begins to add harmless ‘80s pop into seriously unsettling scenarios to create further disconnect, and to convey a non-sexual loss of innocence for Mark Wahlberg’s Eddie Adams and John C. Reilly’s Reed Rothchild. (Night Ranger’s “Sister Christian” and Rick Springfield’s “Jessie’s Girl” have never quite sounded the same since.) Yet Anderson’s most effective use of music is the faint, pulsating bell chime that serves as a warning that the past has come back to haunt Adams. His Dirk Diggler alter ego resorting to back-alley exhibitions like the ones he did as a dishwasher in the Valley in ’77. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1608012177055-BIE3SOWXRC5NDZCOUDQR/24380539-9EA5-46F0-8918-DB33E7D8DD92_1_201_a.jpeg Blog - Time Passages: Musical Signposts in Paul Thomas Anderson’s Boogie Nights - Rolling in the Deep However, this ominous alarm is at its most anxiety-inducing during a scene involving Horner and Heather Graham’s “Rollergirl” in a limousine joy ride with a random guy as part of a new adult series, to be recorded on grainy videotape no less. Boogie Nights’ cinematographer, Robert Elswit shoots part of this scene as if the viewer is looking through the videocamera’s viewfinder, bringing us into the backseat, watching the moment Brandy’s past comes back to haunt her as well. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1608012390969-1OI6RQK8XAFZZSKD88DI/1D94E5A7-F497-4B38-9ECF-D4EF7755C5A3_1_201_a.jpeg Blog - Time Passages: Musical Signposts in Paul Thomas Anderson’s Boogie Nights - Amber Waves of Pain It also marks the beginning of Brandy’s future that may play out like Julianne Moore’s Amber Waves (Maggie as she’s known from her previous life as wife and mother) and Don Cheadle’s Buck, both of whom deal with public scrutiny as they attempt to rebuild non-porn private lives. The “heyday” has reached The End, or more fittingly, its climax. https://www.popzeal.com/blog/hi-fi-sci-fi-five-favorite-daft-punk-moments monthly 0.5 2020-12-10 https://www.popzeal.com/blog/double-trouble-brian-de-palma-dressed-to-kill monthly 0.5 2020-12-18 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1605328644888-9X22KIMPB6MXM75CJF8K/4B4FDF74-5A31-453B-8CAF-3307E8A7AB64_1_201_a.jpeg Blog - Double Trouble: Reflections on Brian De Palma’s Dressed to Kill Sunglasses At Night: Liz (Nancy Allen) and the “tall blond.” Filmways Pictures. Cinematographer: Ralf D. Bode. https://www.popzeal.com/blog/best-worst-movie-plan-9-from-outer-space monthly 0.5 2020-12-18 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1607739199676-3CH3PUHB81S6AFSUOWJG/7C79D063-62D9-4E8A-9FCA-251077D134DB_1_201_a.jpeg Blog - The Best of the Worst: Plan 9 From Outer Space - Que Bela! Lugosi in brighter days, ironically: 1931’s Dracula. Universal Pictures. Cinematographer: Karl Freund. https://www.popzeal.com/blog/janet-jackson-velvet-rope-tour monthly 0.5 2020-12-18 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1607926492558-KO86GR2D9CLEPJ8FISO6/08634EAC-1332-4464-BDC9-FD1A24E88456_1_201_a.jpeg Blog - A More Mature Miss Jackson: Janet’s 1998 Velvet Rope Tour - Cover. Songs. Back cover of the concert DVD packaging, featuring synopsis, set list and partial credits. Eagle Rock Entertainment. https://www.popzeal.com/blog/watch-hitchcock-watch-hitch-watch monthly 0.5 2020-12-18 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1607737877944-T5K3S70RSVHXAE6Z6R2G/72DA201B-7114-4764-AF93-0242F2CAAA8C_1_201_a.jpeg Blog - Watch “Hitchcock,” and Watch Hitch Watch - Sound Familiar? Hopkins - Hannibal - Hitchcock. Orion Pictures. Cinematographer: Tak Fujimoto. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1607738080218-28I8PJXSTQS11WLLDD1E/A39714E4-6649-4C5D-82AA-455D99B90161_1_201_a.jpeg Blog - Watch “Hitchcock,” and Watch Hitch Watch - Always in the Shadows The iconic Hitchcock silhouette, as seen here in 1976’s Family Plot. Universal Pictures. Cinematographer: Leonard J. South. https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1607738372992-FV3OTNS7P2WPR2TDH610/E52C0508-1BBA-4E5C-8525-6B6FCE2A097D_1_201_a.jpeg Blog - Watch “Hitchcock,” and Watch Hitch Watch - Oh, Flock! After Psycho came The Birds. Universal Pictures. Cinematographer: Robert Burks. https://www.popzeal.com/blog/pop-zeal-project-madonna-material-girl monthly 0.5 2020-12-18 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1607930864099-JC29TS6NELTPBK0GICOL/11F211D4-8178-4AAA-8EF6-C931B6E59339_1_201_a.jpeg Blog - The Pop Zeal Project (Track 79): Madonna: “Material Girl” - Reference Material Madonna’s “Material Girl,” from 1984’s Like a Virgin album, is one of the first instances of the singer’s love of playful irony. Vocals that evoke innocence tell the story of a seemingly passive individual who is savvier and more decisive than one would believe. While it appears she is the pursuer of material goods held by “some boys,” by song’s end, she becomes the pursued; there’s a reversal of roles, as heard in the following not-so-veiled verse, full of layered meaning: “Boys may come and boys may go/And that’s all right you see/Experience has made me rich/And now they’re after me.” https://www.popzeal.com/blog/holiday-sidewinder-leo monthly 0.5 2020-08-26 https://www.popzeal.com/blog/the-pop-zeal-project-jayz-bono-rihanna-stranded monthly 0.5 2020-08-05 https://www.popzeal.com/blog/the-pop-zeal-project-kylie-minogue-bittersweet-goodbye monthly 0.5 2020-07-15 https://www.popzeal.com/blog/the-pop-zeal-project-sheryl-crow-safe-and-sound monthly 0.5 2020-07-01 https://www.popzeal.com/blog/sounds-like-summer-five-songs-new-season monthly 0.5 2020-06-28 https://www.popzeal.com/blog/the-pop-zeal-project-she-and-him-in-the-sun monthly 0.5 2020-06-22 https://www.popzeal.com/blog/the-pop-zeal-project-the-rolling-stones-angie monthly 0.5 2020-06-15 https://www.popzeal.com/blog/pop-zeal-project-alanis-morissette-head-over-feet monthly 0.5 2020-12-18 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1607742533748-PQP3BOPVZXPPU1IGGDNA/299F25CA-6306-41FD-B733-1D9AC38DD469_1_201_a.jpeg Blog - The Pop Zeal Project: Alanis Morissette: “Head Over Feet” - You’re my best friend… … Best friend with benefits. 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https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1588901931796-1UAXVODCCKUPUKYBA8NR/Guitars.jpeg Home - Welcome to Pop Zeal—a blog devoted to music, movies and my other pop-culture passions. It’s a place for insights (and sounds), plus reviews, recommendations and a respectful nod to retrospect. It’s an outlet to share my interpretations about the music I’ve been listening to and the content I’ve been watching; what has inspired me in the past and what’s inspiring me now. Here my love of words meets my passion for (the best and what’s positive in) pop culture. Guitars at Experience Music Project, Museum of Pop Culture. Seattle, Washington. https://www.popzeal.com/about daily 0.75 2020-06-14 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1588378091554-YMGLJT552XNGPXWLJMGM/Sherylcrowbooksign.jpg About - If It Makes Me Happy With pop/rock musician, Sheryl Crow at her book signing in San Francisco, California. https://www.popzeal.com/contact daily 0.75 2020-05-23 https://images.squarespace-cdn.com/content/v1/5ea2409a641d9548d5ce5063/1588914333742-LZ99IFOZXZDVHB9G73DC/rockongraffitiart.jpg Contact Rock On graffiti art in Florence, Italy. https://www.popzeal.com/privacy-policy-and-cookies daily 0.75 2025-07-27 https://www.popzeal.com/contact-1 daily 0.75 2025-06-10